Canon Goes Retro With The Canon AE-1 Digital


Canon AE-1 Digital:
B&H Photo / AmazonMoment / Adorama

Canon has redefined the boundaries of retro design and modern innovation with the all-new Canon AE-1 Digital. Canon finally joined the retro digital camera phenomenon—which started with the Fujifilm X100—by updating the legendary Canon AE-1 for the digital age. Unlike the Fujifilm X100, the Canon AE-1 Digital is a flagship camera with features that not only rival but exceed the specifications found in Canon’s current lineup. Canon held nothing back with the AE-1 Digital, and they are playing to win.

Introducing the All-New Canon AE-1 Digital
Canon has redefined the boundaries of retro design and modern innovation with the all-new Canon AE-1 Digital. Canon finally joined the retro digital camera phenomenon—which started with the Fujifilm X100—by updating the legendary Canon AE-1 for the digital age. Unlike the Fujifilm X100, the Canon AE-1 Digital is a flagship camera with features that not only rival but exceed the specifications found in Canon’s current lineup. Canon held nothing back with the AE-1 Digital, and they are playing to win.

Unmatched Imaging Excellence
60.2MP Full-Frame CMOS Sensor: Capture every detail with a groundbreaking sensor that pushes the limits of resolution, ensuring stunning clarity and vibrant color reproduction.
Next-Generation DIGIC X Processor: Experience lightning-fast performance and exceptional image quality, even in the most challenging shooting conditions.

Revolutionary Autofocus & Shooting Speed
Dual Pixel CMOS AF II: Featuring 1,053 selectable autofocus points, this system guarantees razor-sharp focus on every subject, even at high speeds.
Advanced Eye AF: Intelligent human and animal detection ensures your subjects remain in perfect focus—every time.
12 fps Continuous Shooting: Never miss a moment with rapid-fire capture, complemented by a silent electronic shutter for discreet operation.

Cinematic Video Capabilities
8K Video Recording at 60p: Set a new standard in digital filmmaking with ultra-high-definition video that brings your creative vision to life.
5-Axis In-Body Image Stabilization: Achieve smooth, shake-free footage regardless of the shooting environment.

Iconic Retro Design Meets Modern Innovation
Timeless Aesthetics: A meticulously crafted, all-metal chassis with tactile analog control dials pays homage to Canon’s rich heritage.
Fully Articulating Touchscreen & 0.5″ OLED EVF: Enjoy an intuitive interface and crystal-clear electronic viewfinder that offer real-time clarity and vibrant detail.
Weather-Sealed Durability: Built to withstand the elements, making it your ideal companion for any adventure.

Seamless Connectivity & Customization
Integrated WiFi, Bluetooth, & NFC: Instantly share your work and control your camera remotely, ensuring you’re always connected.
Customizable Control Interface: Tailor your shooting experience with intuitive menus and adjustable settings that combine classic photography with cutting-edge digital precision.

Canon AE-1 Digital isn’t just a camera—it’s a revolution. With its unparalleled blend of retro charm and state-of-the-art technology, this flagship model stands as Canon’s most ambitious creation yet. Get ready to experience the future of photography, where every shot is a masterpiece and every moment is captured with legendary precision.

Coming soon—prepare to redefine your creative journey with Canon AE-1 Digital.

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DA: SIGMA 18-50mm F2.8 DC DN | Contemporary – Well Rounded


SIGMA 18-50mm F2.8 DC DN | Contemporary:
B&H Photo / Amazon / Adorama

Dustin Abbott published his full review of the Fujinon GF500mm f/5.6 R LM OIS WR, which you can read in full here or check out the pro/cons below:

Pros:

  • Fantastic job porting to Canon
  • Extremely compact and lightweight
  • Nicely made with a weather sealing gasket
  • Useful focal range with constant F2.8 aperture
  • Great autofocus performance
  • Good video AF performance
  • Minimal focus breathing
  • Good sharpness across zoom range
  • Nice bokeh in most situations
  • Fairly good coma performance
  • Nice build and handling than RF lenses

Cons:

  • No optical stabilizer
  • Fairly strong barrel distortion at 18mm
  • Some ghosting in certain lighting conditions
  • Flare for RF lens mount slightly interferes with MF ring

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More Canon EOS V Cameras To Come


Canon EOS R50 V: B&H Photo / Amazon / Adorama
Canon PowerShot V1: B&H Photo / Amazon / Adorama

It sounds like the Canon EOS R50 V and PowerShot V1 are just the start and that Canon will be announcing more V cameras in the future. Canon could release a Canon EOS R6 V in the not-too-distant future.

In the official introduction of EOS R50 V, the last sentence is:

Know that this is just the beginning of the new Canon EOS V series
(Know that this is just the beginning of the new Canon EOS V series!)

It seems that Canon will continue to launch more EOS RV products in the future!

via Weibo

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Canon 50mm F1.5 and 32mm F0.75 Patents Found


Patents for a Canon 50mm F1.5 and Canon 32mm F0.75 lens were found

overview

  • [Publication number] P2025040503
  • [Release date] 2025-03-25
  • [Title of invention] Optical system and imaging device
  • [Application date] 2023-09-12
  • [Applicant]
    [Identification number] 000001007
    [Name or company name] Canon Inc.
  • A compact optical system and an imaging device having high optical performance over a wide focus range are provided.
  • [Background Art]
    [0002]
    In recent years, the importance of miniaturizing optical systems has increased due to the spread of smartphones and the shift from single-lens reflex cameras to mirrorless cameras in the high-end camera market. Patent Document 1 discloses a compact optical system (polarized reflective imaging system) equipped with a polarizing element and a half mirror.
  • [0004]
    The optical system disclosed in Patent Document 1 has a dark F-number of 2.85. Because the polarized reflective imaging system has a structure in which the amount of light when randomly polarized light is incident is 1/8, it is necessary to make the F-number brighter than that of a normal optical system. In addition, the optical system disclosed in Patent Document 1 does not have good aberrations when focusing and cannot increase the shooting magnification, so it is not possible to achieve high optical performance over a wide focus range.
  • SUMMARY OF THE PRESENT EMBODIMENTS [0005]
    It is therefore an object of the present invention to provide a compact optical system having high optical performance over a wide focus range.
  • EFFECT OF THE PRESENT DISCLOSURE
    According
    to the present invention, it is possible to provide a compact optical system having high optical performance over a wide focus range.


Example 1

  • Focal length: 48.00
  • F-number: 1.50
  • Half angle of view: 24.26
  • Image height: 21.64
  • Back focus: 0.10


Example 2

  • Focal length: 32.00
  • F-number: 0.75
  • Half angle of view: 24.37
  • Image height: 14.50
  • Back focus: 0.10


Example 3

  • Focal length: 32.00
  • F-number: 0.95
  • Half angle of view: 24.38
  • Image height: 14.50
  • Back focus: 0.10


Example 4

  • Focal length: 21.65
  • F-number: 0.95
  • Half angle of view: 33.81
  • Image height: 14.50
  • Back focus: 0.11


Example 7

  • Focal length: 17.38
  • F-number: 0.95
  • Half angle of view: 39.84
  • Image height: 14.50
  • Back focus: 0.10


Example 15

  • Focal length: 100.00
  • F-number: 2.00
  • Half angle of view: 7.70
  • Image height: 13.52
  • Back focus: 0.10


Example 24

  • Focal length: 35.50
  • F-number: 0.95
  • Half angle of view: 31.36
  • Image height: 21.64
  • Back focus: 0.10


Example 25

  • Focal length: 50.00
  • F-number: 0.95
  • Half angle of view: 23.40
  • Image height: 21.64
  • Back focus: 0.10

via asobinet

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Canon RF 20mm f/1.4 L VCM Announced

Canon RF 20mm f/1.4 L VCM: B&H Photo / Adorama

Canon RF 20mm f/1.4 L VCM was announced, and preorders start today.

Canon RF 20mm f/1.4L VCM Overview

Ultra-Wide for Hybrid Creators
Designed to satisfy both photographers and videographers’ needs, the Canon RF 20mm f/1.4 L VCM is a fast ultra-wide-angle prime lens with a function-first build that caters to the hybrid nature of modern image-making, emphasizing high image quality, responsive AF, minimized focus breathing, and intuitive, silent, and customizable handling.

Optimized for Photo
Suiting nature, landscape, architecture, interior, and street photography applications, this ultra-wide prime offers a huge angle of view that enables making strong, dynamic compositions with an exaggerated sense of space and foreground.

  • Impressively fast f/1.4 maximum aperture affords control over depth of field and also greatly benefits low-light shooting, making this an ideal lens for astrophotography applications.
  • Optical design includes ultra-low dispersion (UD) and Blue Spectrum Refractive Optics (BR) elements to reduce chromatic aberrations for impressive clarity and color accuracy.
  • Air Sphere (ASC) and Subwavelength structure (SWC) coatings reduce flare and ghosting for improved contrast.
  • Contrasting the ultra-wide field of view, this lens also excels with close-up subjects thanks to a 7.9″ minimum focusing distance and 0.19x maximum magnification.
  • Rounded 11-blade diaphragm creates a smooth, rounded out-of-focus rendering.

Optimized for Video
When used for video applications, the lens’s ultra-wide field of view and close-focusing design can be paired with motion to create especially dynamic scenes.

  • Manual aperture ring with de-click switch to make smooth, silent iris pulls.
  • Focus breathing is especially well-controlled, helping to maintain a consistent composition and field of view when racking focus.
  • Linear focus motor for intuitive manual focus control.
  • Matched design with other Hybrid series primes; all lenses have the same 67mm front filter ring and general size for ease in rigging and working with multiple lenses on a shoot.

VCM and Nano USM Autofocus
The focusing system has also been tuned to suit both photo and video tasks, offering a useful mixture of speed and control.

  • Nano Ultrasonic Motor (USM) is used to control a floating focusing system while a Voice Coil Motor (VCM) adjusts a rear focusing group; together, these two systems offer an ideal mixture of speed and quiet performance that is especially beneficial to video recording.
  • Floating focus design also helps to maintain consistent image quality throughout the focusing range, from 7.9″ to infinity.
  • AF/MF switch and full-time manual focus override for intuitive focus control when needed.

Design Details
Despite being a fast ultra-wide lens, this 20mm f/1.4 remains relatively compact and lightweight for regular use. Its design and size is matched to the other Hybrid lenses and is built for everyday use for a wide range of shooting applications.

  • Effectively the same dimensions (3 x 3.9″) and weight (1.1 lb) as other Hybrid series prime lenses; these lenses also share a 67mm front filter ring diameter.
  • Included filter holder attaches to the rear of the lens and accepts pre-cut gel filters; this is ideal for scenarios when more than one filter might be needed or if one filter will be used for a sustained amount of time.
  • In addition to the manual aperture ring, this lens has a customizable Control Ring and Function Button, which can be programmed to control a range of shooting settings.
  • L-Series level durability and weather resistance for working in inclement conditions.

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Canon RF-S 14-30mm f/4-6.3 IS STM PZ Announced


Canon RF-S 14-30mm f/4-6.3 IS STM PZ: B&H Photo / Adorama

Canon RF-S 14-30mm f/4-6.3 IS STM PZ was announced, and preorders start today.

Canon RF-S 14-30mm f/4-6.3 Overview
A versatile, video-ready zoom in a compact package, the Canon RF-S 14-30mm f/4.5-6.3 IS STM PZ Lens is made specifically for use as a kit lens for the APS-C-format R50 V mirrorless camera, where it delivers a wide-angle to short telephoto equivalent zoom range of 22-48mm. Fully compatible with any other RF-mount body, the lens has both power zoom functionality and image stabilization to deliver optimal results when shooting video.

Canon has taken care with the optical design, using two aspherical elements, an ultra-low dispersion element, and Super Spectra Coating to minimize aberrations and reduce ghosting and flare. The small form factor and 5.9″ minimum focus distance make it useful for intimate portraits in tight spaces. The built-in image stabilizer will also work with Movie Digital IS in compatible bodies like the R50 V. Additionally, the lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video.

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