SmallRig Launches Universal Cooling System for Canon Mirrorless Cameras: Meet the Hybrid 5328 and Basic 5329

SmallRig Hybrid Cooling Fan for Mirrorless Cameras

SmallRig Cooling Fan for Mirrorless Cameras

SmallRig Launches Universal Cooling System for Canon Mirrorless Cameras: Meet the Hybrid 5328 and Basic 5329
SmallRig has officially unveiled its new Universal Cooling System for mirrorless cameras, aimed at Canon shooters who push long-form 4K, 8K, and high-frame-rate recording to the point where heat becomes a limiting factor. The lineup ships in two versions — the Hybrid Cooling 5328 and the Basic Cooling 5329 — both designed to snap onto the back of the camera in place of the flipped-out LCD to pull heat away from the body during extended sessions.

Unlike SmallRig’s earlier model-specific coolers, this new generation is built as a universal platform. It covers key cameras in Canon’s mirrorless lineup, including the EOS R5, EOS R5 Mark II, EOS R6 Mark II, and EOS R7, with compatibility also extending to several Sony bodies.

The key question for most buyers will be which of the two to pick. Here is how they break down:

1. Cooling architecture The fundamental split between the two models is the presence — or absence — of a semiconductor (TEC) cooling module.

  • SmallRig 5328 (Hybrid Cooling): Combines a 7000 rpm high-speed fan with a TEC semiconductor cooling module, giving it the ability to actively drive surface temperature below ambient rather than just moving air across the body. This is the model to reach for in genuinely demanding conditions — long takes, warm environments, or codec-heavy 8K/4K formats where a fan alone struggles.
  • SmallRig 5329 (Basic Cooling): Uses the same 7000 rpm fan but skips the TEC module, relying purely on airflow. It is better suited to moderate shooting conditions where the goal is simply to keep the camera from tipping over its overheating threshold.

2. Operating modes

  • 5328 Hybrid: Three-speed operation with Auto, High, and Low modes, letting shooters balance cooling intensity against runtime and noise.
  • 5329 Basic: Two-speed operation, reflecting its simpler fan-only design.

3. Battery life Both units feature a built-in rechargeable battery and support charging while in use — a meaningful detail for anyone running long event or interview shoots.

  • 5328 Hybrid: Up to approximately 70 minutes at maximum power (built-in 2200mAh battery). The TEC module is the trade-off; it cools harder but draws significantly more energy.
  • 5329 Basic: Up to approximately 180 minutes at maximum power (built-in 1100mAh battery), prioritizing endurance over peak cooling capability.

4. Size and weight The two units share the same footprint but differ slightly in thickness and mass.

  • Shared footprint: Roughly 85 × 50.8 mm, constructed from PC material and aluminum alloy.
  • 5328 Hybrid: Approximately 32.8 mm deep, 130 g.
  • 5329 Basic: Approximately 25 mm deep, 85 g — noticeably slimmer and lighter on the rig.

5. Mounting and compatibility Both models use a spring-loaded, snap-in mounting design that sits behind the flipped-out LCD, allowing for quick attach/detach. It works seamlessly with either caged or cage-free setups. On the Canon side, SmallRig officially lists compatibility with the EOS R5, EOS R5 Mark II, EOS R6 Mark II, and EOS R7.

6. Protections Both units include multiple layers of protection — overheating, short-circuit, and overvoltage — covering the usual safety bases for an active-cooling accessory drawing power near the camera body.

7. Pricing

  • SmallRig 5328 Hybrid Cooling: $65
  • SmallRig 5329 Basic Cooling: $44

8. Which one should you buy? The decision largely comes down to how hard your camera is being pushed.

Choose the 5328 Hybrid if you are shooting 8K, 4K120, or long-form high-bitrate internal recording on a camera that is known to hit thermal walls — the EOS R5 and EOS R6 Mark II being typical candidates — or if you routinely shoot outdoors in warm environments.

Choose the 5329 Basic if your workflow is less thermally punishing, if you value a lighter and slimmer unit on your rig, or if you simply need the extended 180-minute runtime for long events where swapping power banks on a cooler mid-shoot is not practical.

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OL: Canon RF 16-28mm f/2.8 IS STM Review


Canon RF 16-28mm f/2.8 IS STM:
B&H Photo / Amazon / Adorama

Optical Limits published its full review of the Canon RF 16-28mm f/2.8 IS STM, which is a compact, lightweight lens with adequate performance for the price if f/2.8 matters to you. You can read the full review here or check out the excerpt below:

Pros

  1. Pretty good performance across the range (autocorrected)
  2. Compact and lightweight

Cons

  1. Relies HEAVILY on image autocorrection
  2. Retractable zoom mechanism
  3. Not much cheaper than the RF 14-35mm f/4 L IS USM (in some markets)

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Canon EF24-70mm F2.8L II USM Discontinued Abroad


The Canon EF24-70mm f/2.8L II USM has been discontinued abroad, but it can still be found in the United States on B&H Photo and Amazon.

  • Camera Kitamura: Completed Products
  • Map Camera: Discontinued product, but still in stock.
  • Bic Camera: Now on sale
  • Yodobashi Camera: Available by special order
  • Canon Online Store: Sales ended

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Sigma 24-70mm f/2.8 DG OS HSM Discontinued Abroad


The Sigma 24-70mm f/2.8 DG OS HSM for EF mount has been marked as discontinued abroad, but there are still some available on B&H Photo and Amazon.

  • Camera Kitamura: Now on sale (EF/F)
  • Map Camera: Discontinued product, but still in stock.
  • Bic Camera: Production discontinued (EF/SA)
  • Yodobashi Camera: Sales ended

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Exciting New Patents for Canon RF Lenses: 130mm f/1.8, 300mm f/2.8, and 500mm f/5.6


We’ve just got wind of some potentially game-changing optical designs from Canon, revealed in patent P2026067609. The patent details optical formulas for three highly anticipated RF lenses, giving us a fascinating glimpse into the future of Canon’s mirrorless lineup. Here’s a breakdown of what the patent suggests:


RF 130mm F1.8 IS USM: The Ultimate Portrait Prime?

The 130mm f/1.8 design points to a lens that could re-define portrait photography on the RF system. For users who find the 85mm primes too wide and 200mm primes too long, this focal length is a perfect middle ground.

  • Key Detail: The f/1.8 aperture combined with the longer focal length suggests an incredible ability to compress the background and generate creamier bokeh than anything currently available at that range, especially with the potential inclusion of Diffractive Optics (DO) to manage its size.

  • Specifications: The patent details an optical formula of 14 elements in 9 groups, featuring significant aspherical elements to control chromatic and spherical aberrations at wide apertures. It also mentions an Image Stabilizer (IS) system and Ultra Sonic Motor (USM), suggesting superb autofocus performance for this specialty prime.


RF 300mm F2.8 L IS USM: Professional Sports and Wildlife Workhorse

The f/2.8 lens is a crucial piece of glass for many professional shooters. While Canon has already released an RF 300mm f/2.8 L IS USM, this patent shows Canon is still actively iterating on fast telephoto designs, looking for improvements in size, weight, and edge-to-edge sharpness.

  • Key Detail: As an L-series lens, we can expect the highest build and image quality standards, and this new formula (17 elements in 13 groups) looks designed to maximize contrast and micro-contrast, making it an ideal choice for fast-action sports and wildlife photography in challenging lighting conditions.

  • Specifications: The patent includes several fluorite and UD elements to minimize the purple fringing that can often plague telephoto lenses. Image Stabilization (IS) and USM are standard here, ensuring that it remains the go-to lens for professional assignments demanding both speed and versatility.


RF 500mm F5.6 IS USM: The Super-Telephoto for Everyone

Perhaps the most intriguing part of the patent is the 500mm f/5.6. Following the success of the EF 400mm f/5.6L and the new era of high-performance f/11 super-telephotos, this lens could be a major breakthrough in compact, long-range optics.

  • Key Detail: A 500mm f/5.6 is a lens that many photographers would love to own, offering serious reach in a relatively portable package. This patent points to Canon using innovative design principles to keep the lens light and maneuverable without sacrificing significant light-gathering ability.

  • Specifications: This formula is surprisingly compact for its focal length, utilizing an optical structure of 15 elements in 10 groups, and is a strong candidate for incorporating Canon’s Diffractive Optics (DO) technology, which significantly reduces chromatic aberrations and lens size. Image Stabilization (IS) and USM are included, making it highly suitable for hand-held wildlife and aviation photography.


The Future of RF Optics

While patents are never a guarantee that a lens will enter production, P2026067609 shows that Canon is focused on innovating across the spectrum, from portrait primers and professional sports glass to making super-telephoto lenses more accessible than ever. We’ll be keeping a close eye on these designs and will bring you any news of their development.

What do you think of these potential lens options? Would you pick up a 130mm f/1.8, a refreshed 300mm f/2.8, or a compact 500mm f/5.6? Let us know in the comments below!

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