Canon RF 14mm f/1.4L VCM, RF 18mm f/1.4L VCM, and RF 35mm f/1.8 Patents Found


Canon patent P2026043301 has been found, which covers Canon 14mm f/1.4, 18mm f/1.4, and 35mm f/1.8 lenses. Below is a summary of the patent; you can also view it here on j-platpat.

Patent Analysis: Canon P2026-043301 Details New 14mm f/1.4, 18mm f/1.4, and 35mm f/1.8 RF Primes

Canon’s latest patent application out of Japan, P2026-043301 (published March 12, 2026), provides a transparent look at the optical engineering driving the next phase of the RF mount. The filing outlines three distinct wide-angle prime formulas: a 14mm f/1.4, an 18mm f/1.4, and a 35mm f/1.8.

More than just a list of focal lengths, the physical dimensions and optical complexities detailed in this patent confirm Canon’s strategy to standardize their primes for hybrid (stills and video) workflows.

Here is a breakdown of the specific embodiments and the engineering logic behind them.


The Engineering Context: Why VCM for the Ultra-Wides?

Before analyzing the specific lenses, the f/1.4 formulas in this patent must be viewed through the lens of Canon’s Voice Coil Motor (VCM) strategy.

Fast, ultra-wide primes require heavy, complex optical groups to correct for coma and distortion. Traditional Ring USM (Ultrasonic Motor) generates rotational force that translates to linear movement via mechanical gears or helicoids. While excellent for stills, this mechanical translation introduces micro-jitters and acoustic noise during continuous video autofocus.

VCM, paired with Nano USM, provides a direct magnetic linear drive. This allows Canon to glide massive f/1.4 focusing groups silently and fluidly. It also facilitates precise electronic breathing compensation. The 130mm and 121mm lengths of the 14mm and 18mm designs in this patent clearly indicate the physical space required to house this dual-motor VCM architecture, matching the footprint of the existing 24mm, 35mm, and 50mm VCM lenses.


Embodiment 1: RF 14mm f/1.4L VCM

Canon already dominates the ultra-wide zoom space, but an f/1.4 prime at 14mm is a specialized tool engineered primarily for astrophotography and architectural work.

  • Focal Length: 14.30mm
  • F-Stop: f/1.45
  • Half Angle of View: 56.71°
  • Total Lens Length: 130.00mm

Analysis: The 130mm physical length accommodates a heavily bulbous front element necessary to gather light across a 114° total field of view. The optical diagram reveals a dense cluster of rear elements. This is a classic hallmark of designs utilizing large-diameter GMo (Glass-Molded) aspherical glass to force light rays to strike the sensor perpendicularly, aggressively correcting the sagittal coma flare that plagues wide-open astrophotography.

Embodiment 2: RF 18mm f/1.4L VCM

This is a historic focal length for Canon. While 18mm is a standard in the APS-C and cinema worlds, Canon has traditionally skipped it in their full-frame stills lineup in favor of 14mm, 20mm, and 24mm.

  • Focal Length: 18.45mm
  • F-Stop: f/1.46
  • Half Angle of View: 49.33°
  • Total Lens Length: 121.17mm

Analysis: At 121.17mm, this lens fits the exact physical profile of the current f/1.4L VCM series, making it instantly swappable on a gimbal without rebalancing. The 18mm focal length fills a critical gap for hybrid shooters: it is wide enough for immersive vlogging and environmental portraits without inducing the severe perspective stretching seen at 14mm. To achieve f/1.4 in a 121mm barrel, this design likely relies heavily on digital distortion correction profiles rather than purely optical correction.

Embodiment 3: RF 35mm f/1.8 (Internal Focus Redesign)

The inclusion of a 35mm f/1.8 is the most revealing aspect of this patent regarding Canon’s consumer lens strategy, as the RF 35mm f/1.8 Macro IS STM already exists.

  • Focal Length: 33.95mm
  • F-Stop: f/1.85
  • Half Angle of View: 32.55°
  • Total Lens Length: 96.88mm

Analysis: The current RF 35mm f/1.8 is an older, external-focusing design where the front barrel extends. This shifts the center of gravity and prevents the use of clamp-on matte boxes—both dealbreakers for video production. The 96.88mm formula in this patent strongly points to an internally focusing Mark II redesign. By utilizing a smaller, lighter internal focus group, Canon can significantly speed up autofocus, eliminate external movement, and bring their popular consumer prime up to modern hybrid standards.

Posted in Patents | Tagged , , | 2 Comments

Canon Saving Sunday


Canon PowerShot V1 Mirrorless Camera (Save $130):
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Canon EOS RP Mirrorless Camera (Save $200):
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Canon EOS R100 Mirrorless Camera (Save $100):
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Canon EOS R50 Mirrorless Camera (Save $100):

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Canon EOS R10 Mirrorless Camera (Save $100):
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Canon EOS R8 Mirrorless Camera (Save $200):
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Canon EOS R7 Mirrorless Camera (Save $100):
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Canon EOS R6 Mark II Mirrorless Camera (Save $300):
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Canon EOS R5 Mark II Mirrorless Camera (Save $500):
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Canon EOS R5 Mirrorless Camera (Save $500):
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Canon R3 Mirrorless Camera (Save $1,000):
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Canon EOS C80 6K Mirrorless Cinema Camera (Save $350):
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Canon EOS C70 Mirrorless Cinema Camera (Save $1300):
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Canon EOS R5 C Mirrorless Cinema Camera (Save $900):
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Lenses
Full Frame
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR (Save $200):

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Canon RF 16mm f/2.8 STM (Save $90):
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Canon RF 24mm f/1.4 L VCM (Save $100):
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Canon RF 24mm f/1.8 Macro IS STM (Save $90):
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Canon RF 28mm f/2.8 STM (Save $50):
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Canon RF 35mm f/1.4 L VCM (Save $50):
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Canon RF 35mm f/1.8 Macro IS STM (Save $90):
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Canon RF 50mm f/1.4 L VCM (Save $50):
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Canon RF 100mm f/2.8 L Macro IS USM (Save $100):
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Canon RF 135mm f/1.8 L IS USM (Save $300):
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Canon RF 600mm f/11 IS STM (Save $100):
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Canon RF 800mm f/11 IS STM (Save $100):
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Canon RF 10-20mm f/4 L IS STM (Save $200):
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Canon RF 14-35mm f/4 L IS USM (Save $100):
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Canon RF 15-30mm f/4.5-6.3 IS STM (Save $100):
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Canon RF 15-35mm f/2.8 L IS USM (Save $200):
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Canon RF 16-28mm f/2.8 IS STM (Save $200):
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Canon 28-70mm f/2.8 IS STM (Save $150):
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Canon RF 70-200mm f/2.8 L IS USM (Save $200):
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Canon RF 70-200mm f/4 L IS USM (Save $100):
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Canon RF 100-500mm f/4.5-7.1 L IS USM (Save $200):
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Canon RF 200-800mm f/6.3-9 IS USM (Save $200):
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APS-C
Canon RF-S 3.9mm f/3.5 STM Dual Fisheye Lens (Save $200):

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Canon RF-S 7.8mm f/4 STM Dual Lens (Save $100):
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Canon RF-S 10-18mm f/4.5-6.3 IS STM (Save $90):
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Mitakon
Mitakon Zhongyi Speedmaster 50mm f/0.95 III (Save $100):
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Mitakon Zhongyi Creator 28mm f/5.6 (Save $50):
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Kipon
KIPON Elegant 90mm f/2.4 (Save $400):
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Voigtlander
Voigtlander Nokton 50mm f/1.0 (Save $450):
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Software Deals
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Canon EOS 5D Mark IV Discontinued Abroad


Canon EOS 5D Mark IV: B&H Photo / Amazon / Adorama

The Canon EOS 5D Mark IV is being marked as discontinued overseas, as camera bodies sell out. There are still camera bodies available, so grab them while you can

  • Camera Kitamura: Discontinued products
  • Map Camera: On sale
  • Bic Camera: On sale now
  • Yodobashi Camera: Limited stock
  • Canon Online Store: Backordered
  • Repair period: EOS 5D Mark IV: TBD

via asobinet

Posted in Press Release | Tagged | 30 Comments

Laowa 17mm f/4 Zero-D Tilt-Shift/Shift Announced For RF Mount


Laowa 17mm f/4 Zero-D Tilt-Shift: Venus Optics / B&H Photo / Amazon
Laowa 17mm f/4 Zero-D Shift: Venus Optics / B&H Photo / Amazon

Laowa’s New Tilt-Shift Lens – 17mm f/4 Zero-D Tilt-Shift & Shift – Your Vision, Precisely in Control
Laowa, a leading innovator in camera lens design, proudly announces the dual launch of the Laowa 17mm f/4 Zero-D Tilt-Shift and the 17mm f/4 Zero-D Shift. These lenses introduce a new era of precision for architectural and landscape photography, combining an ultra-wide 104° angle of view with unparalleled perspective control. Pairing the ±12mm shift capability for the tilt-shift version ±11mm for the shift version, and with the signature Zero-D design, they effectively eliminate optical distortion and the keystone effect, ensuring perfectly straight lines for every professional application. Although the lenses are designed primarily for full-frame mirrorless cameras, the expansive image circle provides ample coverage for medium format sensors with an incredible ±8mm shift capability. With the tilt-shift version, photographers gain control over the focus plane, allowing for both technical selective focus and the creative miniature effect. Both lenses offer a great blend of technical correction and artistic freedom, along with benefits such as a 360° rotation mechanism for seamless stitching, a 25cm close-focusing distance, and 14 aperture blades.

Comparison Between the Two

Product Name 17mm f/4 Zero-D Shift 17mm f/4 Zero-D Tilt-Shift
Features
  • 17mm Ultra Wide Lens
  • Perspective Control
  • 360° Lens Body Rotation for Easy Stitching
  • Plane of Focus Control
  • Miniature Effect Made Easy
  • Selective Focus for Creative Shots
Shift ±11mm* ±12mm*
Tilt ±10°
Weight 770g 810g
Mounts Sony E, Canon RF, Nikon Z, L-mount^, Fuji GFX, Hasselblad XCD

*±8mm on medium format camera for both tilt-shift and shift version

^ Tilt-shift version is not compatible with the following Panasonic Lumix models: S52 S1M2 S1R2 S1M2E S5M2X

Optical Excellence: Zero-Distortion Design
The cornerstone of the Laowa 17mm f/4 Tilt-Shift lens is its signature Zero-D (Zero-Distortion) design. While ultra-wide lenses typically suffer from barrel distortion that causes straight lines to curve—a significant challenge for architectural and interior photography—this lens is optically engineered to maintain geometric integrity. The Laowa 17mm f/4 Tilt-Shift lens ensures that vertical and horizontal lines remain perfectly straight from edge to edge. By correcting distortion optically rather than digitally, it removes the need for heavy post-processing. This allows photographers to avoid the significant resolution loss that occurs when stretching or warping pixels in software, preserving the maximum level of detail and sharpness across the entire frame.

Refined Rendering: 14-Blade Aperture
The 14-blade aperture design helps create a more rounded bokeh, resulting in softer out-of-focus areas. Also, it translates into a softer, subtler Sunstar effect. This is especially beneficial in night cityscapes, where point light sources appear as smoother orbs rather than harsh points. This design enhances the overall aesthetic, allowing the subject to stand out more effectively.

Versatile Compositions: 25cm Min. Close-Focusing Distance
In addition to its perspective control capabilities, the Laowa 17mm f/4 Tilt-Shift lens offers impressive flexibility with a minimum focusing distance of 25cm. This close-focusing ability allows photographers to get remarkably close to foreground subjects while still capturing the vastness of the background. It provides more creative options for emphasizing close-up subjects without sacrificing the sense of space.

The Power of Shift
The 17mm ultra-wide focal length provides an expansive field of view, making it ideal for capturing tight interiors and grand architectural exteriors in a single frame with just a simple shift. The shift function eliminates the keystone effect. This ensures that vertical lines remain straight and parallel rather than converging, providing the professional geometric accuracy required for high-end real estate and architectural documentation. The advantage of doing it in-shot, instead of in-post, is to get the best quality of photo. Since software would require stretching, warping, and cropping pixels—which inevitably leads to a loss of resolution—the 17mm shift function preserves the full integrity of the image data. Every shot maintains its original sharpness and detail across the entire frame, delivering a clean, high-resolution output that is ready for large-scale printing.

When paired with the integrated 360-degree lens body rotation, the lens becomes a powerful tool for high-resolution stitching and panoramas in any orientation. Mounting the lens on a tripod keeps the image axis stationary during rotation and shifting, enabling the creation of expansive wide-angle images that maintain incredible detail and a natural sense of space. This capability is crucial for achieving perfect stitching in panorama photography.

The Art of Tilt
The tilt function of the 17mm f/4 Zero-D Tilt-Shift lens introduces a sophisticated layer of creative control by allowing photographers to manipulate the orientation of the focus plane. By tilting the lens, you can achieve the famous miniature effect, which makes real-world landscapes and cityscapes appear like tiny, intricate scale models. This is achieved by creating a narrow strip of sharpness while blurring the rest of the frame, tricking the eye into perceiving a much shallower depth of field than is typically possible with such a wide-angle lens.

Beyond artistic effects, controlling the plane of focus is a crucial technical tool for professional photographers. By tilting the lens, you can align the plane of focus with the subject instead of keeping it parallel to the camera sensor. This allows photographers to adjust the image plane to emphasize the most important areas.

Furthermore, this ability to control the plane of focus allows photographers to achieve selective focus easily, enabling them to highlight specific elements within a complex composition. You can choose to keep a particular object or architectural detail in focus while the surrounding environment softly blurs away. This level of precision creates a more intentional narrative in your photography, guiding the viewer’s eye with accuracy. Whether aiming for technical perfection or a unique artistic signature, the tilt function transforms the 17mm f/4 into a versatile tool for visual storytelling.

User-Centric Design: 86mm Filter Thread and Arca-Swiss Support
The Laowa 17mm f/4 Zero-D series is built with practical, on-site usability in mind, featuring a standard 86mm front filter thread. Unlike many ultra-wide lenses that require bulky, expensive external filter holders due to bulb-like front elements, this lens allows photographers to use common screw-in filters. For landscape and architectural shooters, this is a massive advantage—enabling the quick attachment of circular polarisers to cut reflections or ND filters for long exposures without adding unnecessary weight or complexity to their kit.

The 17mm f/4 is engineered for a seamless professional workflow, featuring an integrated Arca-Swiss lens support that allows for direct mounting to a tripod without the need for extra plates. For maximum versatility, the lens includes a 360-degree lens body rotation mechanism that features precise clicks every 15 degrees. This allows photographers to quickly and accurately switch between vertical, horizontal, and diagonal orientations.

Specification

Name 17mm f/4 Zero-D Tilt-Shift / Shift
Format  Full Frame
Focal Length 17mm
Aperture Range  f/4 – 22
Angle of View  104°
Lens Structure  18 elements in 12 groups
Aperture Blades 14
Shift  ±12mm (±11mm for Shift version only) *
Tilt ±10° / –
Min. Focusing Distance  25cm
Max. Magnification  0.131X
Focusing System MF
Filter Thread Ø86mm 
Dimensions  Ø93mm x 111mm
Weight 810g (770g for Shift version)
Mounts  Sony E / Nikon Z / Canon RF / L Mount^/ GFX / XCD
Price USD 1249 (USD999 for Shift version)

*±8mm on medium format for both tilt-shift and shift versions
^ Tilt-shift version is not compatible with the following Panasonic Lumix models: S52 S1M2 S1R2 S1M2E S5M2X

Posted in 3rd Party Lenses | Tagged , , | 12 Comments

New Elinchrom Transmitter Pro X


Elinchrom Transmitter Pro X: B&H Photo

Complete control, made easy

A remote built for speed, clarity, and confidence
We are pleased to introduce the Elinchrom Transmitter Pro X – the next generation of on-camera flash control within the Elinchrom system. Built on the proven foundation of the Transmitter Pro, the Elinchrom Transmitter Pro X refines what matters most to professional photographers: clarity, control, and predictable results. More than a trigger, the Elinchrom Transmitter Pro X is the control centre of your lighting workflow – designed for photographers who demand speed, precision, and confidence when working with complex lighting setups.

What’s New

  • Modern colour touch screen with clear visual feedback
  • Real-time control of flash power and modelling lamps
  • HSS and Hi-Sync up to 1/8000s (camera and flash dependent)
  • TTL support for fast and accurate exposure
  • 20 channels and 4 groups
  • Color-coded groups displayed on screen
  • Extended working range up to 200 m (656 ft)
  • Secure locking metal hotshoe
  • Firmware upgradable via USB-C
  • Powered by AA batteries
  • Integrated Bluetooth for future capabilities

Modern Colour Touch Screen

Your entire setup, under control
The Elinchrom Transmitter Pro X is seamlessly integrated into the color-coded interface developed by Elinchrom. Each flash group is clearly displayed both on the transmitter’s screen and on each flash unit, where a bright LED indicator ensures immediate readability and intuitive navigation.

Power settings, color-coded groups, and modeling light controls are presented clearly and logically, giving you full control over your entire lighting setup — directly from the camera.

No guesswork. No menu diving. Just clear, actionable information when it matters most.

Visual Feedback & Two-Way Control

Go beyond your camera’s X-sync
High Speed Sync and Hi-Sync enable shutter speeds of up to 1/8000 second, depending on camera and flash combination. Freeze motion, control ambient light, or work with wide apertures in bright conditions.

With TTL, your camera communicates directly with Elinchrom studio flashes and automatically adjusts flash output to ensure correct exposure from the very first shot. Ideal for fast-paced and demanding environments such as weddings, events, and reportage photography.

After the first exposure, settings can easily be fine-tuned or locked and switched to manual control for full creative freedom.

Refined Ergonomics

Faster access. Smoother workflow
The Elinchrom Transmitter Pro X is designed for intuitive and efficient handling. Improved unit and group selection, along with responsive navigation, make adjustments faster and more precise.

The display shows flash groups using the same colour coding as Elinchrom’s latest flash units – a unique feature that makes setup fast and intuitive.

Every interaction is designed to reduce friction and increase confidence.

Reliable Range

Freedom to work without compromise
With a working range of up to 200 metres (656 ft) outdoors and 60 metres (196 ft) indoors, the Elinchrom Transmitter Pro X delivers dependable performance even in demanding environments.

A Connected Platform

Designed to evolve
Built on a next-generation hardware platform, the Elinchrom Transmitter Pro X is designed to support future capabilities within the Elinchrom ecosystem. Integrated Bluetooth connectivity and firmware updates via USB-C ensure long-term relevance as the system evolves.

The Elinchrom Transmitter Pro X is available for Canon, Sony, Nikon, and Fujifilm and is designed to work seamlessly across the Elinchrom lighting ecosystem, supporting both studio and on-location workflows with the same logic and consistency.

Posted in Canon Accessories | Tagged , , | 7 Comments

Canon Saving Sunday


Canon PowerShot V1 Mirrorless Camera (Save $180):
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Canon EOS RP Mirrorless Camera (Save $200):
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Canon EOS R100 Mirrorless Camera (Save $100):
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Canon EOS R50 Mirrorless Camera (Save $100):

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Canon EOS R10 Mirrorless Camera (Save $100):
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Canon EOS R8 Mirrorless Camera (Save $200):
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Canon EOS R7 Mirrorless Camera (Save $200):
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Canon EOS R6 Mark II Mirrorless Camera (Save $300):
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Canon EOS R5 Mark II Mirrorless Camera (Save $500):
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Canon EOS R5 Mirrorless Camera (Save $500):
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Canon R3 Mirrorless Camera (Save $1,000):
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Canon EOS C80 6K Mirrorless Cinema Camera (Save $350):
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Canon EOS C70 Mirrorless Cinema Camera (Save $1300):
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Canon EOS R5 C Mirrorless Cinema Camera (Save $900):
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Lenses
Full Frame
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR (Save $200):

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Canon RF 16mm f/2.8 STM (Save $50):
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Canon RF 24mm f/1.4 L VCM (Save $100):
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Canon RF 24mm f/1.8 Macro IS STM (Save $90):
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Canon RF 28mm f/2.8 STM (Save $20):
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Canon RF 35mm f/1.4 L VCM (Save $50):
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Canon RF 35mm f/1.8 Macro IS STM (Save $50):
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Canon RF 50mm f/1.4 L VCM (Save $50):
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Canon RF 100mm f/2.8 L Macro IS USM (Save $100):
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Canon RF 135mm f/1.8 L IS USM (Save $300):
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Canon RF 600mm f/11 IS STM (Save $100):
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Canon RF 800mm f/11 IS STM (Save $100):
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Canon RF 10-20mm f/4 L IS STM (Save $200):
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Canon RF 14-35mm f/4 L IS USM (Save $100):
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Canon RF 15-30mm f/4.5-6.3 IS STM (Save $100):
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Canon RF 15-35mm f/2.8 L IS USM (Save $200):
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Canon RF 16-28mm f/2.8 IS STM (Save $200):
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Canon 28-70mm f/2.8 IS STM (Save $150):
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Canon RF 70-200mm f/2.8 L IS USM (Save $200):
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Canon RF 70-200mm f/4 L IS USM (Save $100):
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Canon RF 100-500mm f/4.5-7.1 L IS USM (Save $200):
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Canon RF 200-800mm f/6.3-9 IS USM (Save $200):
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APS-C
Canon RF-S 3.9mm f/3.5 STM Dual Fisheye Lens (Save $200):

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Canon RF-S 7.8mm f/4 STM Dual Lens (Save $100):
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Canon RF-S 10-18mm f/4.5-6.3 IS STM (Save $30):
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Mitakon
Mitakon Zhongyi Speedmaster 50mm f/0.95 III (Save $100):
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Mitakon Zhongyi Creator 28mm f/5.6 (Save $50):
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Kipon
KIPON Elegant 90mm f/2.4 (Save $400):
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Voigtlander
Voigtlander Nokton 50mm f/1.0 (Save $450):
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Voigtlander Nokton 75mm f/1.5 (Save $150):
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Flashes
Godox V1 (Save $60):
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Godox AD600Pro Witstro (Save $415):
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Other Deals
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New Apple M2/M3 Ultra: B&H Photo / Amazon
New Apple M4: 
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New Apple M5: B&H Photo / Amazon
New Apple Mac Pro:
 B&H Photo
New Apple iPad Pro and More: B&H Photo / Adorama
New Apple MBP: B&H Photo / Amazon
MacBook Pro (Savings still available): B&H Photo

Airpod/Airpod Pro/Max Savings: B&H Photo / Amazon

Software Deals
Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2024
ON1 PhotoKeyword AI
ON1 Sky Swap AI
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ON1 Portrait AI
ON1 HDR
Picktorial
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Capture One

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