BREAKING: Canon Announces the EOS R1S — The World’s First Full-Frame Global Shutter Mirrorless Camera (Shutter Sound Sold Separately)

BREAKING: Canon Announces the EOS R1S — The World’s First Full-Frame Global Shutter Mirrorless Camera (Shutter Sound Sold Separately)

April 1, 2026 — Tokyo, Japan — Canon Inc. has officially announced the EOS R1S, the world’s first full-frame mirrorless camera with a global shutter sensor. The camera represents a genuine leap in imaging technology — eliminating rolling shutter distortion entirely, enabling flash sync at any shutter speed, and delivering completely silent operation with zero mechanical shutter components.

There is, however, one catch.

Because the EOS R1S has no mechanical shutter — none at all, not even as an option — it makes absolutely no sound when you take a photograph. And Canon, in its infinite wisdom, has decided that if you want a shutter sound, you’ll need to subscribe to Canon ShutterFX™, a new monthly audio subscription service priced at $4.01/month.

No, seriously.


The Camera: Canon EOS R1S

Let’s start with the good news, because there is genuinely a lot of it.

The EOS R1S is built around a newly developed 50.2-megapixel full-frame stacked global shutter CMOS sensor — a technology that the industry has been chasing for years. Unlike a conventional rolling shutter, which reads the sensor line by line from top to bottom (introducing distortion when subjects move quickly), a global shutter reads every pixel simultaneously. The entire frame is captured in a single instant.

The implications are enormous.

What a global shutter means in practice

Zero rolling shutter distortion. Fast-moving subjects — spinning propellers, golf swings, a tennis racquet at impact — are rendered with perfect geometric accuracy. No jello. No skew. No wobble. Every frame is clean.

Flash sync at any speed. Because the entire sensor is exposed at once, there is no “maximum flash sync speed.” You can sync a strobe at 1/64000s if you want to. High-speed sync becomes meaningless because every sync is full-frame sync. Wedding photographers, portrait shooters, and studio pros: this changes everything.

True electronic global shutter. There is no mechanical shutter in the R1S. None. Canon has removed it entirely. This means zero shutter shock, zero vibration, unlimited shutter actuations, and a body that is slightly thinner and lighter than the EOS R1 — 1,015g vs 1,115g.

Completely silent. The camera makes no sound whatsoever when firing. Not a whisper, not a click, not even the faint electronic “snick” that some mirrorless cameras produce. It is, for the first time in camera history, truly and completely silent.

Which brings us to the problem.


The Problem: Photographers Actually Want Shutter Sound

In extensive user testing conducted over the past two years, Canon discovered something its engineers hadn’t fully anticipated: photographers want to hear a shutter sound. Not because they need to — but because the audible feedback is deeply embedded in the psychology of shooting.

“We tested the R1S prototype with over 400 professional photographers across twelve countries,” said Yoshiyuki Mizoguchi, Group Executive of Canon’s Image Communication Business Operations. “The feedback was overwhelming and, frankly, surprising. Ninety-two percent of testers reported that shooting in complete silence felt ‘wrong,’ ‘unsettling,’ or ‘disconnected.’ Sports photographers said they couldn’t confirm timing without the sound. Wedding photographers reported that clients didn’t believe they were actually taking photos. Street photographers said subjects didn’t react naturally because there was no audible cue that a photo had been taken.”

Canon’s solution? Rather than adding a single generic electronic shutter sound — as most mirrorless cameras currently offer — Canon decided to build an entire ecosystem around shutter audio.


Introducing Canon ShutterFX™

Canon ShutterFX™ is a subscription-based shutter sound service available exclusively for the EOS R1S. For $4.01 per month (billed annually at $48.12, or $5.99 month-to-month), R1S owners gain access to a growing library of high-fidelity shutter sounds that play through the camera’s built-in speaker each time the shutter button is pressed.

The service launches with 14 shutter sounds across four categories:

Heritage Collection

Premium recordings of iconic Canon shutter mechanisms, captured using studio-grade microphones in Canon’s acoustic testing chamber in Utsunomiya, Japan.

  • Classic EOS-1D — The unmistakable rapid-fire mechanical clatter of the original EOS-1D. Recorded from a mint-condition 2001 body at 8 fps. For the photographer who wants everyone in the room to know they mean business.
  • EOS-1D X Mark III — The refined, authoritative “chunk” of Canon’s last great DSLR. A sound that says “I am being paid to be here.”
  • EOS 5D Mark II — The sound that launched a thousand wedding photography businesses. Warm, slightly hollow, with the distinctive mirror-slap resonance that a generation of photographers associates with the words “full frame.” Pairs well with a 50mm f/1.2.
  • EOS A2E / EOS 5 (Film) — For the film nostalgist. The satisfying whirr-click-whirr of a late-era EOS film body with motor drive. Includes the film advance motor sound between frames.
  • Canon F-1 — The holy grail. A meticulously recorded mechanical shutter from the original 1971 Canon F-1 — the camera that established Canon’s professional reputation. A clean, precise, cloth focal-plane snap that sounds like what a camera is supposed to sound like. Limited to Heritage Collection subscribers.

Studio & Events Collection

Purpose-built synthetic sounds designed for professional working environments.

  • Wedding Safe Soft Click — A gentle, unobtrusive “click” specifically engineered to be audible to the photographer (through the viewfinder speaker) without being picked up by ambient wedding microphones or videographers’ recording equipment. Canon says this sound was developed in consultation with 50 working wedding photographers and tested across dozens of ceremony venues to ensure it falls below the audible threshold at distances greater than 1.5 metres. The frequency profile has been tuned to sit below typical vocal range, making it virtually invisible in wedding video audio tracks.
  • Studio Confirmation — A clean, professional single beep that confirms capture without the mechanical pretence. For photographers who want feedback but don’t need the theatrics.
  • Soft Leaf — An organic, almost ASMR-quality sound described by Canon as “a leaf landing on a still pond.” Designed for newborn, maternity, and boudoir photography where any mechanical sound feels intrusive. We wish we were making this up.

Action Collection

High-energy shutter sounds for sports, wildlife, and photojournalism.

  • Stadium Burst — A rapid, aggressive mechanical burst sound designed to be heard over crowd noise. At 40 fps, it sounds like a very expensive sewing machine. In the best possible way.
  • Sideline Pro — A punchy single-shot sound that projects authority without drowning out the play-by-play. Includes a subtle low-frequency “thump” component that you feel as much as hear.
  • Stealth Wildlife — A dampened, muffled click that mimics the sound of a camera wrapped in a sound blimp. For when you need audio confirmation but don’t want to spook a bird.

Creative Collection

Because apparently some photographers want this.

  • Film Rewind — Every 36 frames, the camera plays a film rewind sound. This has no functional purpose whatsoever. Canon describes it as an “immersive analogue experience.” We describe it as unhinged.
  • Polaroid Eject — A mechanical whirring sound that imitates a Polaroid SX-70 ejecting a print. We have no idea who asked for this.
  • Typewriter Return — A crisp typewriter keystroke on single shot; a carriage return bell every 10 frames. Canon says this was the most popular sound in internal testing among “content creators and visual journalists.” Make of that what you will.

How It Works

The R1S features a newly developed front-facing speaker integrated into the camera’s top plate, positioned near the viewfinder hump. The speaker uses a balanced armature driver — the same technology found in high-end in-ear monitors — to deliver “authentic acoustic reproduction” in a compact form factor.

ShutterFX sounds are stored locally on the camera after downloading via the Canon Camera Connect app (Wi-Fi or Bluetooth). Sounds can be assigned to different shooting modes — for example, “Wedding Safe Soft Click” for silent mode and “Classic EOS-1D” for continuous high-speed burst. Volume is adjustable from 0 (truly silent) to 10 (“asserting dominance at a press conference”).

Canon says the speaker adds approximately 8g to the body weight and draws negligible power — less than 0.1% of battery life per 1,000 shutter actuations.

Free tier vs subscription

The R1S ships with one shutter sound included at no additional cost: a generic electronic “click” that Canon describes as “functional but characterless.” It is, by all accounts, the sound equivalent of a stock photo.

To access any of the 14 premium sounds — or any future sounds added to the library — a ShutterFX subscription is required. Canon has confirmed that new sounds will be added quarterly, with plans for “collaboration packs” featuring sounds from partner brands and cultural institutions.

When pressed on whether a $6,499 professional camera should include shutter sounds without an additional subscription, Mizoguchi responded: “The EOS R1S delivers the most advanced imaging technology in Canon’s history. ShutterFX is an optional personalisation layer that allows photographers to customise their shooting experience. The camera is fully functional without it.”

He paused, then added: “The free click is fine.”

It is not fine.


Full Specifications: Canon EOS R1S

Feature Specification
Sensor 50.2MP full-frame stacked global shutter CMOS
Processor DIGIC Accelerator (next-gen)
ISO range 50–819200
Mechanical shutter None
Electronic shutter Global shutter, all speeds
Max shutter speed 1/64000s
Flash sync All speeds (full-frame global sync)
Continuous shooting 40 fps (RAW), 120 fps (compressed)
Autofocus Dual Pixel CMOS AF III, 100% coverage
AF points 12,288
Subject detection Humans, animals, vehicles, aircraft, trains
Video 8K/60p RAW, 4K/240p (10-bit 4:2:2)
Rolling shutter Eliminated (global shutter)
Built-in speaker Balanced armature, ShutterFX compatible
EVF 9.44M-dot OLED, 240fps
Rear display 3.2″ tilt/swivel touchscreen
Body construction Magnesium alloy, full weather sealing
Weight 1,015g (body only)
Battery LP-E19, approx. 900 shots per charge
Card slots CFexpress Type B (dual)
Connectivity Wi-Fi 6E, Bluetooth 5.3, USB-C (USB4)
Shutter sound ShutterFX™ subscription ($4.01/mo)

Pricing and Availability

Product Price (USD) Availability
Canon EOS R1S (body only) $6,499 August 2026
Canon ShutterFX™ (monthly) $5.99/mo At launch
Canon ShutterFX™ (annual) $4.01/mo ($48.12/yr) At launch
ShutterFX Heritage Pack (one-time) $29.99 At launch
ShutterFX Complete Collection (one-time) $79.99 At launch

Note: One-time purchase options include all sounds available at time of purchase. Future quarterly sound additions require an active subscription or separate one-time purchase.

Pre-orders open May 1, 2026 at B&H Photo, Amazon, and authorised Canon dealers.

Posted in Canon EOS R, Canon EOS R1 | Tagged | 3 Comments

Canon Saving Sunday


Canon PowerShot V1 Mirrorless Camera (Save $130):
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Canon EOS R100 Mirrorless Camera (Save $100):
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Canon EOS R50 Mirrorless Camera (Save $100):

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Canon EOS R10 Mirrorless Camera (Save $100):
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Canon EOS R6 Mark II Mirrorless Camera (Save $300):
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Canon EOS C80 6K Mirrorless Cinema Camera (Save $350):
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Canon EOS C70 Mirrorless Cinema Camera (Save $1300):
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Canon EOS R5 C Mirrorless Cinema Camera (Save $900):
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Lenses
Full Frame
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR (Save $200):

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Canon RF 15-35mm f/2.8 L IS USM (Save $200):
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Canon RF 70-200mm f/2.8 L IS USM (Save $200):
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Canon RF 100-500mm f/4.5-7.1 L IS USM (Save $200):
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Canon RF 200-800mm f/6.3-9 IS USM (Save $200):
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APS-C
Canon RF-S 3.9mm f/3.5 STM Dual Fisheye Lens (Save $200):

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Canon RF-S 7.8mm f/4 STM Dual Lens (Save $100):
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Canon RF-S 10-18mm f/4.5-6.3 IS STM (Save $90):
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Mitakon
Mitakon Zhongyi Speedmaster 50mm f/0.95 III (Save $100):
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Mitakon Zhongyi Creator 28mm f/5.6 (Save $50):
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Voigtlander
Voigtlander Nokton 50mm f/1.0 (Save $450):
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Flashes
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Apple M2 Ultra: B&H Photo / Amazon
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Apple M4: 
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Apple Mac Pro:
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MacBook Pro (Savings still available): B&H Photo

Airpod/Airpod Pro/Max Savings: B&H Photo / Amazon

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Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
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World Backup Day 2026


B&H Photo announced its World Backup Day specials.

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Canon Patent Reveals Four Compact RF-S Primes (10mm, 12mm, 18mm, 28mm f/2.8)


We have all said it. We have all asked for it. We have watched the RF mount explode with incredible full-frame L-series glass, and even a few affordable FF options. Meanwhile, the EOS R7 and R10 shooters among us have been patiently waiting for the APS-C ecosystem to get the same level of attention.

Well, if the latest patent activity is any indication, our patience is about to pay off. BIG TIME.

Just today, March 25, 2026, a brand-new patent application from Canon (P2026052804) was published in Japan, and it is a fascinating treasure trove of wide-angle potential. This isn’t just one lens concept; it is an entire foundational lineup of compact primes optimized for the RF-S system.

The application outlines optical formulas for a consistent family of lenses: 10mm, 12mm, 18mm, and 28mm—all sharing a fast f/2.8 constant aperture.

The Big Picture: Why This Matters for RF-S

For too long, the primary critique of the EOS R APS-C system has been a reliance on slow kit zooms and a complete lack of native, fast wide-angle primes. This patent suggests Canon is moving to aggressively address that gap.

What makes this patent unique is the cohesive philosophy behind it. These aren’t just random formulas. They appear to be part of a new “Hybrid Prime” initiative focused on extreme compactness and unparalleled AF speed for video.

The filing explicitly identifies the engineering goal: reducing the weight of the focusing group. This is the hallmark of modern mirrorless lens design, pointing directly toward the use of lightweight actuators like Nano USM (Ultrasonic Motor) or potentially the new VCM (Voice Coil Motor) linear motors Canon has been using in high-end glass.


The Lens Lineup: Let’s Talk Specs

Here is the technical breakdown of the most promising embodiments found in the patent (calculations assume a 1.6x crop factor):

The Vlogger’s Dream: RF-S 10mm f/2.8 (Embodiment 4)

  • Focal Length (FF Equiv.): 10.02mm (16mm)
  • Total Lens Length: 65.00mm
  • The Hook: This would be an instantaneous best-seller. At 16mm equivalent, it fills the critical gap for an ultra-wide prime that is faster and likely sharper than the wide end of the existing RF-S 10-18mm zoom. For vloggers looking for a native solution on an R7 or R10, this is the Holy Grail.

The Landscape Primer: RF-S 12mm f/2.8 (Embodiment 1)

  • Focal Length (FF Equiv.): 12.38mm (19.8mm)
  • Total Lens Length: 63.50mm
  • The Hook: A classic architectural and landscape focal length. While the 10mm might get all the hype, a slightly longer 12mm prime allows for a design that likely prioritizes even better optical correction (lower native distortion) than the wider model. This would be a perfect companion for hikers.

The Street Sweeper: RF-S 18mm f/2.8 (Embodiment 8)

  • Focal Length (FF Equiv.): 18.13mm (29mm)
  • Total Lens Length: 70.71mm
  • The Hook: This one gives us massive EF-M 22mm f/2 vibes. While it is f/2.8 and slightly longer, the philosophy is identical: a super-compact, unobtrusive, “walkaround” lens. This is the classic 28mm-equivalent “Street Photography” sweet spot. If Canon builds this, it might become the R-system’s quintessential “pancake-adjacent” lens.

The New Standard: RF-S 28mm f/2.8 (Embodiment 3)

  • Focal Length (FF Equiv.): 28.17mm (45mm)
  • Total Lens Length: 67.03mm
  • The Hook: A perfect “nifty fifty” equivalent for crop sensor shooters. Wait, you say, Doesn’t Canon already have an RF 28mm f/2.8 pancake that fits the R7? Yes. But the optical formula in this patent is different. The IH (Image Height) listed is specific to APS-C (12.6mm), suggesting this formula is optimized for the shorter back-focus of a native crop design, potentially delivering superior specialized AF performance for video or even smaller physical elements.

Bonus Entry: RF-S 14.6mm f/2.8 (Embodiment 7)

  • Focal Length (FF Equiv.): 23.4mm
  • The Hook: Tucked away in the patent is a 15mm-equivalent, serving as a compromise prime for those who find the 10mm too extreme and the 18mm not wide enough.

Final Take: Are They Real?

This isn’t just a patent for a single, pie-in-the-sky lens. The consistent f/2.8 aperture, the shared engineering goals regarding weight and focusing mechanics, and the strategic focal lengths (10, 12, 18, 28) strongly suggest a cohesive roadmap.

Canon is directly answering the primary consumer demand for the RF-S system. With the recent opening of the RF mount to third parties (Sigma and Viltrox), Canon has to flesh out its own ecosystem to compete. A suite of fast, lightweight f/2.8 primes for the R7/R10 users is exactly how they do it.

While a patent is not a guarantee, we would be very surprised if at least the 10mm f/2.8 (the blockbuster for video) and the 18mm f/2.8 (the essential street lens) do not move toward production in the next 12–18 months.

We will be tracking this patent very closely!

Which of these primes are you most excited for? Is f/2.8 fast enough for your walkaround wide-angle needs, or are you still holding out for an f/2 pancake like the old days? Let us know in the comments!

via j-platpat

Posted in Patents | Tagged , , , , , | 4 Comments

Canon EOS R7 Mark II Rumor


Canon EOS R7:
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Some potentially accurate Canon EOS R7 Mark II specs have been all over weibo lately. You can  check them out below:

Sensor: 39MP back-illuminated stacked sensor;
readout speed close to or exceeding that of the EOS R5 Mark II;
Image processor: DIGIC Accelerator (likely key to high-speed readout);
Continuous shooting performance: 40fps electronic shutter;
Supports pre-shooting;
Control layout similar to the EOS R6 Mark III;
Card slot configuration: Dual card slots (SD / CFexpress Type B);
Battery model: LP-E6P;
Launch price “significantly higher” than the R7 (R7’s initial price was $1,499);
Video specifications: No information available yet;
Release date: expected late May to early June 2026.

via Weibo

Posted in Canon EOS R7, Canon EOS R7 Mark II | 1 Comment

Canon Saving Sunday


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Canon EOS C80 6K Mirrorless Cinema Camera (Save $350):
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Lenses
Full Frame
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR (Save $200):

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Canon RF 16mm f/2.8 STM (Save $90):
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Canon RF 24mm f/1.4 L VCM (Save $100):
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Canon RF 24mm f/1.8 Macro IS STM (Save $90):
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Canon RF 28mm f/2.8 STM (Save $50):
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Canon RF 35mm f/1.4 L VCM (Save $50):
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Canon RF 35mm f/1.8 Macro IS STM (Save $90):
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Canon RF 50mm f/1.4 L VCM (Save $50):
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Canon RF 100mm f/2.8 L Macro IS USM (Save $100):
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Canon RF 135mm f/1.8 L IS USM (Save $300):
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Canon RF 800mm f/11 IS STM (Save $100):
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Canon RF 10-20mm f/4 L IS STM (Save $200):
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Canon RF 14-35mm f/4 L IS USM (Save $100):
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Canon RF 15-30mm f/4.5-6.3 IS STM (Save $100):
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Canon RF 15-35mm f/2.8 L IS USM (Save $200):
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Canon RF 16-28mm f/2.8 IS STM (Save $200):
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Canon 28-70mm f/2.8 IS STM (Save $150):
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Canon RF 70-200mm f/2.8 L IS USM (Save $200):
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Canon RF 70-200mm f/4 L IS USM (Save $100):
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Canon RF 100-500mm f/4.5-7.1 L IS USM (Save $200):
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Canon RF 200-800mm f/6.3-9 IS USM (Save $200):
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APS-C
Canon RF-S 3.9mm f/3.5 STM Dual Fisheye Lens (Save $200):

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Canon RF-S 7.8mm f/4 STM Dual Lens (Save $100):
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Canon RF-S 10-18mm f/4.5-6.3 IS STM (Save $90):
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Mitakon
Mitakon Zhongyi Speedmaster 50mm f/0.95 III (Save $100):
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Mitakon Zhongyi Creator 28mm f/5.6 (Save $50):
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Voigtlander
Voigtlander Nokton 50mm f/1.0 (Save $450):
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Voigtlander Nokton 75mm f/1.5 (Save $150):
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Flashes
Godox V1 (Save $60):
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New Apple M2/M3 Ultra: B&H Photo / Amazon
New Apple M4: 
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New Apple M5: B&H Photo / Amazon
New Apple Mac Pro:
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New Apple MBP: B&H Photo / Amazon
MacBook Pro (Savings still available): B&H Photo

Airpod/Airpod Pro/Max Savings: B&H Photo / Amazon

Software Deals
Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
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ON1 PhotoKeyword AI
ON1 Sky Swap AI
ON1 Photo Resizer AI
ON1 NoNoise AI
ON1 Portrait AI
ON1 HDR
Picktorial
TopazLabs
Capture One

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