It’s Amazon Prime Day again, and there are some great deals for Canon cameras, which you can page through here, or you can check out my recommendations below.
Laowa announces the launch of the new Laowa 12mm f/2.8 Lite Zero-D FF for mirrorless systems. The original 12mm f/2.8 Zero-D was one of Laowa’s bestsellers, known as the widest non-fisheye lens available on the market at the time. Now, in the mirrorless era, the new Lite version is optimized specifically for mirrorless systems, featuring 122° ultra wide angle of view with a more compact and lightweight design. It also supports autofocus on Sony E and Nikon Z cameras.
Equipped with a fast f/2.8 aperture and maintaining Laowa’s signature “Zero-D” (zero distortion) optical design, this lens delivers natural-looking results. A built-in ⌀72mm front filter thread further enhances its portability. This lens is a versatile choice for landscape, architecture, astrophotography, aerial shots, vlogging, and more.
Key Features:
Ultra-wide 122° Angle of View
“Zero-Distortion”
Fast & Accurate Autofocus
Compact & Lightweight
Bright f/2.8 Aperture
14cm Close Focusing Distance
Excellent Image Quality
⌀72mm Filter thread
10-Point Sunstar
Ultra-wide 12mm with f/2.8 Large Aperture The Laowa 12mm f/2.8 Lite Zero-D FF offers an ultra-wide 122° angle of view paired with a fast f/2.8 aperture, making it an excellent choice for landscape photography—especially in low-light conditions such as sunrise, sunset, or starry nights. The wide perspective helps capture vast, expansive scenes with dramatic scale and depth, while the f/2.8 aperture allows more light to enter, enabling faster shutter speeds and better performance in dim environments. This also offers creative flexibility for foreground emphasis and environmental storytelling. Whether you’re exploring rugged mountains, shooting seascapes, or capturing the night sky, this lens is built to handle it all with ease and clarity.
“Zero-Distortion” While most 12mm full-frame lenses on the market are fisheye, Laowa continues to break boundaries with a rectilinear design. Building on the legacy of the original 12mm f/2.8 Zero-D, this new Lite version inherits its acclaimed optical performance. Thanks to Laowa’s advanced optical engineering, distortion is kept to a minimum, ensuring straight lines stay true, even at the edges of the frame. This makes it a powerful tool for architecture, cityscapes, interiors, and any scene where accuracy and perspective matter.
Compact & Lightweight Designed with portability in mind, this lens is both lightweight and compact, weighing just around 377g ( 0.83 lb). It’s an ideal companion for creators on the move, whether you’re shooting handheld, flying with a drone, or mounting it on a gimbal. Its minimal weight makes it perfect for street photography or travel scenarios where mobility matters and heavy gear is a hassle.
Close Focusing Distance of 14cm With a close focusing distance of just 14cm (5.5 inches), this 12mm f/2.8 Lite Zero-D FF lens lets you capture stunning details up close, opening up exciting possibilities for wide-angle macro photography.
“Excellent Image Quality The Laowa 12mm f/2.8 Lite Zero-D FF is engineered with exceptional optics, resulting in outstanding image sharpness and excellent control of chromatic aberration (CA). Compared to the original 12mm f/2.8 version, it shows significant improvement in sharpness, even at the corners.
Fast and Accurate Autofocus As the second autofocus lens in Law’s lineup, the 12mm f/2.8 Lite Zero-D delivers fast, precise focus tracking for both Sony E and Nikon Z mounts. It combines the convenience of reliable autofocus with the exceptional optical quality Laowa is known for, ensuring you never miss a moment. *RF and L mount are fully manual
Built-in Filter Thread The Laowa 12mm f/2.8 Lite Zero-D FF comes equipped with a built-in ⌀72mm filter thread, providing photographers with the flexibility to easily attach a wide range of filters and adding greater convenience to your shooting setup.
Stunning 10-point Sunstar This lens is available in both 5- and 16-blade versions. The 5-blade version creates a distinctive 10-point sunstar effect when you stop down the aperture, adding a striking visual element to your photos.
12mm f/2.8 Zero-D vs. 12mm f/2.8 Z Lite Zero-F FF: Enhancement and Distinctions Clarified
A Patent was filed by Canon for Slow Shutter Bracketing. You can check it out below and see the diagrams from the patent above. I have also included an AI explanation of the patent below that.
overview
[Publication number] P2025093064
[Release date] 2025-06-23
[Title of Invention] Imaging device and its control method and program
[Application date] 2023-12-11
[Applicant][Identification number] 000001007[Name or company name] Canon Inc.
An imaging device capable of obtaining a plurality of images with different slow shutter expressions in response to a single shooting instruction, and a control method and program for the same are provided.
[Background Art][0002]As a photography technique using long exposure, there is slow shutter photography, which captures the movement of a moving subject such as a waterfall or water flowing in a river. In slow shutter photography, the expression and impression of the photograph that can be taken changes depending on the length of the exposure time, so it is necessary to repeatedly shoot until a photo that is satisfactory to the user is captured. However, when repeatedly shooting while changing the exposure time, it is not possible to record images with different slow shutter expressions for the same scene.
[0003]On the other hand, there are conventional techniques that realize pseudo long-second exposure. For example, Patent Document 1 discloses a method of synthesizing images taken repeatedly at specific intervals to achieve a specific brightness. Patent Document 2 discloses a method of recording images with different exposures of the same scene as bracket images by repeatedly aligning and additively synthesizing multiple taken images and storing the images.
[0005]However, in the prior art of Patent Document 1, the brightness of the image changes, so images with different slow shutter expressions cannot be recorded. Also, in the prior art of Patent Document 2, the positioning is performed between the captured images, so images with slow shutter expressions that capture the movement of a moving subject cannot be recorded.
[0006]The present invention has been made in consideration of the above-mentioned problems, and aims to provide an imaging device and a control method and program thereof that can obtain multiple images with different slow shutter expressions with a single shooting instruction.
EFFECTS OF THE PRESENT EMBODIMENTS[0008]According to the present invention, a plurality of images with different slow shutter expressions can be obtained with a single shooting instruction.
AI Explanation of the Patent
Summary Think of P2025093064 as Canon’s recipe for turning your camera into its own ND filter and tripod. By slicing a long exposure into many short, easily stabilised frames and smart-merging them with AI, it promises shake-free blur effects straight out of camera. If it makes it into a future EOS R-series body, landscape and city-scape shooters could leave the heavy glass filters—and even their tripods—at home.
What problem is Canon trying to solve?
Long-exposure photography (think silky waterfalls or traffic-light trails) usually needs a neutral-density (ND) filter or very low light.
ND filters are fiddly, easy to lose, and can introduce colour-cast or vignetting.
Hand-holding multi-second exposures is impossible without blur.
The patent’s goal is to let you capture the long-exposure look—hand-held and filter-free—by having the camera “fake” one long exposure from a burst of short ones.
Core idea in plain English
Scene analysis. The camera quickly meters the scene and decides an overall “target shutter time” you want to simulate (for example, 2 s, 4 s, 8 s).
Slow-shutter bracketing burst. Instead of opening the shutter for the whole 8 s, it fires a rapid burst of, say, 24 frames at 1/30 s each.
AI alignment & merge.
Built-in stabilisation data and deep-learning models line-up the frames down to the pixel—even if you’re hand-holding.
Moving elements (water, clouds, traffic) are blended to look stretched and streaky.
Stationary parts are stacked to stay tack-sharp.
Automatic exposure guard-rails. The camera keeps each slice short enough that highlight clipping doesn’t happen, so you still get detail in bright areas.
One finished JPEG/RAW. The processor outputs a single file that looks as if you’d used a real ND filter and tripod.
What hardware & software does it rely on?
Building block
Why it matters
Patent twist
Fast read-out sensor
Limits rolling-shutter skew between frames
Sensor readout speed is factored into how many slices are used.
In-body IS (IBIS) + lens IS
Records motion data for frame alignment
Gyro info feeds the AI merge stage.
High-speed processor / on-chip AI cores
Runs the de-shake + blending in real time
Model adapts the number of frames if you pan intentionally.
Firmware “Live ND” UI
Lets you pick ND-equivalent strengths (ND2, ND4, ND8, ND16…)
Auto mode can pick strength for you.
Why bracketing instead of a straight electronic ND filter?
Electronic ND shutters darken all frames, so you still need a tripod.
Here each slice is short → sharp → easy to align; but when they’re merged the sum of exposures mimics a single long one.
Because exposure is chopped up, highlights are never over-exposed—something a single 8-second shot might ruin.
Practical pay-offs
Hand-held long exposures. Rivers, fountains, or street scenes without lugging a tripod.
Cleaner high-sunlight shots. No colour shift or loss of corner sharpness that physical ND glass can introduce.
Faster workflow. No filter screwing, no post-stacking; the camera spits out the finished file.
Creative flexibility. Patent mentions letting you dial in virtual ND strengths or let the camera suggest one based on scene motion.
Hidden challenges the patent tackles
Challenge
Patent’s counter-measure
Ghosting from people/cars that move unpredictably
AI detects “outlier” objects and either masks or fades them to avoid double images.
Overheating from rapid bursts
Firmware limits the burst length if sensor temperature rises.
Excess memory use
Only intermediate frames essential for the final blend are cached; the rest are discarded on-the-fly.